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Transcribed and Presented by Greville Watson 2018
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Rushden Operatic Society
'Fiddler on the Roof' - 1989
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RUSHDEN AMATEUR OPERATIC SOCIETY
present
Fiddler On The Roof
(By arrangement with Josef Weinberger Ltd.)
Book by JOSEPH STEIN
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Music by JERRY BOCK
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based on Sholem Aleichem's stories by
special permission of Arnold Perl
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Lyrics by SHELDON HARNICK
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Directed and Choreographed by |
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DAVID TURNER |
Additional Choreography by |
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SALLY JONES |
Musical Director
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CHRISTINE HOWLETT |
LRAM, LTCL, ARCM, LG, SM |
CHICHELE SCHOOL |
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APRIL 10th to 15th, 1989
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RUSHDEN |
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Nightly 7.30pm
Saturday Matinee
April 15th, 2.30pm |
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From the President |
I know that you, our audiences, will be as disappointed as the members of the Society that this production has had to be moved yet again from the excellent facilities of the Ritz. One thing is certain however, the move to a smaller stage will not mean a fall in the Society’s high standards. The 4 shows staged at the Boys’ school 1979 to 1982 are proof of this. The Society is indeed fortunate that such excellent facilities are available at Chichele School. On behalf of the Society and you, our ‘customers’ I would thank most sincerely the Education Authority and particularly the Head teacher and Staff including the caretakers for allowing the school to be used. Whilst it is intended that school buildings should be available to public organisations this should not be taken for granted. I know from personal experience that ‘lettings’ of this kind do cause some upheaval in the smooth running and organisation of the school, resulting in much forethought, planning and extra work. One must remember that it is not just a hall and stage being used dressing rooms for a large cast are required, as are storage areas for costumes, props and scenery etc. Thank you Chichele.
Finally, thank you, our audiences, for your support please maintain it it is needed now more than ever. Production costs are still very high, even in a smaller venue, and live theatre must not be lost to Rushden.
Bert Catlin
President
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From the Chairman |
Our last year’s show ‘Half A Sixpence’ was a great success, unfortunately not financially, but however it was enjoyed by many people. Little did we realise that on our final curtain, it would be the last performance at ‘The Ritz’.
We have come a long way since the curtain went up 43 years ago on the first night of ‘Blossom Time’, and it is indeed very sad, that not only members of this Society, but you the public have seen the end of an era.
For your enjoyment this year we present ‘Fiddler on the Roof’. The enthusiasm and hard work of all those connected with the show under the very professional director Mr. David Turner, will, I hope, give you a happy and memorable evening.
Thanks to my committee and all the members both on or off the stage, however small their task. My thanks also to our Vice Presidents for their patronage and financial support.
If anyone is interested in becoming a Vice President, please contact me at 273, Wellingborough Road, Rushden or telephone me on Rushden 53139.
Chris Carter
Chairman
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The Orchestra
Under the direction of Christine Howlett, LRAM, LTCL, ARCM, LG, SM
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Christine Howlett
our MUSICAL DIRECTOR
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Violins
Tony Tomalin - Leader
Richard Andrews
Christine Twell
Eleanor Hutchinson
Anna Burrows |
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Paul Gardner - Cello
Richard Wright - Double Bass
Jo Conquest - Flute/Piccolo
Andrew Stewart - Clarinet
Amanda Howe - Clarinet |
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Charles Hutchings - Trumpet
Kevin Taylor - Trumpet
Maxwell Thornton - Trombone
Mick Grace - Percussion
Stephen Garfirth - Piano |
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FIDDLER ON THE ROOF is about human values at a time, like today, when there is confusion over those values. It is about the breaking down of traditions when some people are still trying to uphold these traditions. It is about a man and his relationship with his family, his people and of his special relationship with God. It is about love of man for a woman, of men for their fellow men and for their birthplace. It is about pride and dignity, sorrow and oppression. It actually takes place in a small village in Czarist Russia called Anatevka. But it really takes place everywhere . . .
The man, Tevye, the milkman, his wife Golde and their five daughters. Tradition is for the ’matchmaker’ to arrange marriages and Tevye’s daughters are special. Tzeitel, the eldest, is matched with Lazar Wolf the butcher, many years her senior, but tells her father she has made a pledge with her childhood friend Motel, the village tailor. Tevye is upset, but finds his special relationship with God helps him to finally agree to Tzeitel and Motel marrying. A tradition is broken . . .
A poor student Perchik arrives in the village from Kiev, whose ideas considerably differ from those in Anatevka. In spite of this Tevye likes him and agrees to let him teach his two younger daughters. As time passes Hodel Tevye’s second daughter and Perchik become fond of each other. (At Tzeitel’s wedding this friendship flourishes).
General unrest is spreading through Russia and the soldiers are around Anatevka, but keep their distance. The Constable talks to Tevye and explains they will have to show their presence with a little unrest. Sadly this happens at Tzeitel’s Wedding Party. Perchik becomes a revolutionary acting against the Tzar. However, he and Hodel want to get married, so ask Tevye. Tevye wants to retain the ‘matchmaker’ tradition. Again, his relationship with God helps him to agree the marriage, but with mixed feelings knowing Perchik will be arrested and eventually deported to Siberia because of his political views.
Tevye’s third daughter Chava, becomes friendly with a Russian soldier Fyedka. They eventually want to marry and Tevye refuses. They ask only for his blessing, but he cannot agree. They marry Golde tells Tevye and he says ‘Chava is dead’ and they have other daughters. Golde is very upset.
The revolution breaks with disastrous repercussions on Jewish families. Tevye’s family and friends are told they must pack and leave Anatevka. The Constable still respects Tevye and breaks the news gently they have three days to pack and leave. They resign themselves to leaving.
Golde Eh . . . it’s just a place.
Mendel Our forefathers have been forced out of many places at a moment’s notice . . .
Tevye Maybe that’s why we always wear our hats . . .
A GLOSSARY OF SOME HEBREW/YIDDISH WORDS
Bagels Hard, doughnut-shaped rolls; Mazeltov! Congratulations!; L’Chaim To life!/Good health!; Sabbath Day or rest (starts at sunset on Friday and ends one hour after sunset on Saturday); Rabbi Teacher; Reb A term of respect; Chuppa Silk canopy under which weddings take place; Shochle To rock to and fro while praying; A kosher home a home adhering to Jewish dietary laws; Shalom Peace/Goodbye; 5734 The Jewish equivalent of A.D. 1973; Mezuzah On the right doorpost of the house and of each room is affixed a Mezuzah. It contains a parchment scroll of a scripture portion.
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DAVID TURNER
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David Turner was almost born in the theatre. His father was a professional stage manager and his mother ran theatrical ‘digs’ and so was fortunate enough to grow up in the world of touring ballet companies, variety acts and tours of classical plays.
He studied for the theatre with the late Elsye Bicheno and made his first stage ‘appearance’ as the back end of Connie the Cow in pantomime, but soon graduated to leading roles, playing such diverse characters as Gratiano in the ‘Merchant of Venice’, Mortimer Brewster in ‘Arsenic and Old Lace’ and Phillip in Rattigan’s ‘The Deep Blue Sea’. He has directed major productions in all parts of the British Isles working in many large important theatres and has two hundred productions to his credit.
David holds the unique honour of having adjudicated at the International Festival of Light Opera at Waterford on four separate occasions in 1978, 1981, 1983 and 1988. Also, David was the sole adjudicator at the Northern Ireland Festival of Light Opera in 1986 and 1987.
Twenty years ago author Harold Purcell rewrote his famous wartime musical success ‘The Lisbon Story’ and he allowed David to direct the first production. In 1980, in celebration of the centenary of its first performance, David directed a production of ‘The Pirates of Penzance’ in Penzance with a cast made up entirely of Cornish Players. Also in 1980 he was appointed to the Connaught Theatre Worthing where during his six years in charge of this famous repertory theatre he produced or directed over seventy major productions including ‘The Taming of the Shew’ with Nyree Dawn Porter, ‘South Sea Bubble’ with Barbara Murray and ‘A Song at Twilight’ with Michael Denison and Dulcie Gray.
As a result of a visit to New York David secured the performing rights of Ernest Thompson’s plays and subsequently presented European premieres of ‘On Golden Pond’ starring Eleanor Summerfield and Paul Maxwell and ‘The West Side Waltz’ with Faith Brook.
David directed a number of highly successful musicals at the Connaught Theatre in particular. ‘The Sound of Music’ starring Isla St Clair and Edmund Hockridge, ‘The King and I’ starring Mark Wynter and Lorna Dallas, and ‘Perchance to Dream’ starring Patrick Mower.
In 1985 for the Connaught’s Golden Jubilee, David directed a special presentation of ‘Dear Octopus’ with an all star cast led by Dame Anna Neagle, Dora Bryan, Margaretta Scott and Lockwood West.
He also directed the premiere of William Douglas Home’s new play ‘And as for Jonathan’ which received national critical acclaim.
In 1987 Sir Peter Saunders invited David to direct a new production of the world’s longest running play ‘The Mousetrap’ at London’s St Martin’s Theatre and the following year appointed him General Manager of the Peter Saunders organisation.
In recognition of over twenty years’ service to amateur theatre David has recently become President of the Sussex based Masque Theatre Company, President of the Scunthorpe Operatic Society and been made a Life Member of the York Operatic Society. |
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TEVYE (Dairyman)
GOLDE (his wife) |
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Peter Carpenter
Pauline Wildman
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his daughters
TZEITEL
HODEL
CHAVA
SHPRINTZE
BIELKE |
(Tues. Thurs. Sat. eve)
(Mon. Weds. Fri. Sat Mat.)
(Tues. Thurs. Sat. eve)
(Mon. Weds. Fri. Sat. Mat.) |
Joanne Needle
Julie Atherton
Tina Harrison
( Hannah Hartog
( Sheen O'Leary
( Katie Wicks
( Davina Millwood |
YENTE (the Matchmaker)
MOTEL (the Tailor)
PERCHIK (the Student)
LAZAR WOLF (the Butcher)
MORDCHA (the Innkeeper)
RABBI
MENDEL (his son)
AVRAHM (the Bookseller)
NACHUM (the Beggar)
GRANDMA TZEITEL
FRUMA - SARAH
CONSTABLE
FYEDKA (a Russian)
SHANDEL (Motel's Mother)
THE FIDDLER
JACOB ) suitors
YOSIF )
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Kay Rawlins
Paul Zaremba
Paul Whiteman
Eddie Mander
Michael Tye
Norman Billington
Colin Needle
Chris Catlin
Douglas Pateman
Josephine Green
Pam Trainor
David Wicks
Darren Woodiwiss
Stephanie Griffiths
Rebecca Hartog
Robert Wicks
Anthony Cussons |
MIRALA
RIFKA
RUCHEL
BERILLA
NEVA
FRIEDEL
LARA
BLUMA |
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Mary Boyfield
Sue Burch
Diane Grimster
Gail Holland
Margaret Hunter
Sally Jones
Gina Millwood
Heather Woodiwiss |
YUESSEL
DUVIDEL
SCHMERIL |
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Timothy Green
Richard Green
Graham Ward |
RUSSIANS
SASHA
SERGEI
NIKOLI |
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Keith Green
James Haseldine
Alan Stapleton |
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Scenes
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THE PLACE: ANATEVKA, a small village in Russia
THE TIME: 1905, on the eve of the Russian Revolutionary Period |
Act One
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Scene 1
Scene 2
Scene 3
Scene 4
Scene 5
Scene 6
Scene 7
Scene 8
Scene 9 |
PROLOGUE
Kitchen in Tevye's House
Exterior of Tevye's House
Interior of Tevye's House
The Inn
Street outside the Inn
Outside Tevye's House
Tevye's Bedroom
Village Street
Tevye's Yard
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Act Two
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Scene 1
Scene 2
Scene 3
Scene 4
Scene 5
Scene 6
Scene 7
Scene 8 |
PROLOGUE
Exterior of Tevye's House
Village Street
Railroad Station
Village Street
Motel's Tailor Shop
Outskirts of the Village
The Barn
Outside Tevye's House
EPILOGUE |
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Musical Numbers
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Act One
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Act Two
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"Tradition"
"Matchmaker"
"If I Was a Rich Man"
"Sabbath Prayer"
"To Life"
"Tevye's Monologue"
"Miracle of Miracles"
"The Dream"
"Sunrise-Sunset"
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PROLOGUE
Tevye and Villagers
Tzeitel, Hodel and Chava
Tevye
Tevye, Golde, and Villagers
Tevye, Lazar Wolf and Men
Tevye
Motel
Tevye, Golde, Grandma Tzeitel,
Fruma-Sarah and the Villagers
Tevye, Golde, Perchik,
Hodel and Villagers
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"Now I Have Everything"
"Tevye's Rebuttal"
"Do You Love Me"
"The Rumour"
"Far From the Home I Love"
"Chava Sequence"
"Anatevka"
Finale |
Perchik and Hodel
Tevye and Perchik
Tevye and Golde
Yenta and Villagers
Hodel
Tevye
Tevye, Golde, Yenta, Lazar Wolf,
Mendel, Avram and Villagers
Company |
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Stage Staff |
Stage Manager:
Wardrobe:
Call Boy:
Prompt:
Tab Girl:
Make-up Artists: |
Chris James
Ena Carpenter assisted by:
Grace Berrill, Pam Bird, Peggy Coles, Janet O'Leary, Angela Tobin, Rene Welsford.
Nicolette Goddard
Connie Holt
Susan Smith
Clive Durrant, Kay Rawlins
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Stage Crew:
Lighting:
Properties:
Costumes:
Scenery:
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Maff Davies, Mark Dickenson, Merv Goddard, Len Gomm, Paul Hurby, Les King, Nick Kirk, Mark Page, Gordon Pateman, Ken Smith, Chris Thorburn.
Arthur Hollomon, Debbie Hollomon, Alan Mayes, Michael Warren.
Jan Holloman, assisted by:
Jeanette King, Sandy Mander, Miriam Joyce.
Hills, Hinckley
James Fredericks, Weston-Super-Mare
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Support Staff |
Programme Sellers: |
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Gill Bateman assisted by:
Diane Angwin, Grace Berrill, Pam Bird, Margaret Clark, Janet Mould, Elsie Pateman, Tracy Thompson, Muriel Wallis, Rita Yeomans. |
Stewards: |
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Auditorium Manager: Cliff Jefferies.
Robin Allen, Gerry Baish, Brian Jones, Gerry Myers, Keith Vaughan, Mick Walker. |
Prize Draw, |
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Margaret Bland, Muriel Gomm |
Ticket Sellers |
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Muriel Gomm, Debbie Haseldine |
& Refreshments |
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Moyra Stewart, Edna Ward |
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The Committee and members of the Society wish to offer their sincere thanks to the following whose assistance and co-operation have made this production possible.
The President and Vice-Presidents for their continued support.
The Octopus Distribution Services Ltd., Rushden W. M. Club, The Rose & Crown, Rushden, Hensman Hall, Higham Ferrers and Adult School, Higham Ferrers for rehearsal facilities.
The Headmasters of Chichele School, South End Junior School and their caretakers.
Programme written and compiled by Mary Boyfield.
Peter Dawes Printers, Kettering, and Typestart Print Origination for their great assistance in producing this programme.
Photography by Doug Millhouse, Tel: Kettering 722064 for publicity photographs.
All those who have allowed us to display advertising material.
The Traders who have taken advertising space or donated pages in this programme.
Bernard A Potters (Insurances) Ltd, and Billingtons, Higham Ferrers for publicity displays.
Alpha Mu Products for use of public address equipment.
The Stewarts, Programme, Prize Draw ticket and Refreshment sellers.
John Whittington, Rushden, for Box Office facilities and those who have helped.
The Nursing Sisters and St John Ambulance for attendance at Chichele School.
All parties supporting us from various organisations.
R.A.T.S. for use of scenery workshop and props.
Ailey’s Transport for return of scenery.
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