|
Transcribed and Presented by Greville Watson, 2014
|
|
|
|
RUSHDEN AMATEUR OPERATIC SOCIETY
presents
SUMMER SONG
A STORY OF THE NEW WORLD
Music by ANTON DVORAK
Arranged for the Stage by BERNARD GRUN
Book by HY KRAFT and ERIC MASCHWITZ
Lyrics by ERIC MASCHWITZ
(by arrangement with Samuel French Ltd.)
THE RITZ, RUSHDEN |
|
March 17-22, 1975 |
Nightly at 7.30 p.m.
Saturday Matinee at 2.30 p.m.
|
|
Production and Choreography
by
Robin Sherringham |
|
|
|
Our Director and Choreographer |
We extend a very warm welcome to Robin Sherringham on his first visit to Rushden. Robin was born in Bombay in 1940, and came to England in 1947. He trained at the Italia Conti School. With sixteen professional Shows to his credit from West Side Story to Camelot Robin decided to take up directing. We wish him every success in the future.
|
|
|
The Story of Summer Song |
Willow Falls, a small lumber town in the Middle West, is the setting for an imaginary incident in the life of Anton Dvorak, the great Czech composer. He arrives there in a state of depression seeking inspiration to write a symphony in tribute to America and worthy of what he calls the New World. By accident his valise has been exchanged for one labelled “Tomashek” and he does not disclose his identity when the inhabitants, reading the label, mistakenly accept him as Tomashek.
The majority of the lumbermen are Czech immigrants, but the land, the trees, the sawmill and the saloon are owned by a domineering widow, “Ma” Flannagan. With one exception she has bought up every parcel of land so that a rail-road can be built, by which she hopes her son Shaun will become a millionaire.
The other plot of land is owned by Marek. His attractive daughter Milli is barmaid in Flannagan’s saloon. She is courting Joe, a pedlar whom she sees only once a year.
Marek’s niece, Karolka, arrives unheralded as an immigrant. She and Dvorak at once become great friends and both get jobs in the saloon; he as a pianist and she as a barmaid.
Unaware at their first meeting that Shaun is a Flannagan, she smartly rebukes him for trying to be “fresh” with her; but despite all, they soon fall in love.
Dvorak, in his close contact with the pioneers, finds inspiration in a wealth of new sound and folk music to speed his composition. Abe, a Negro handyman, tells him how he overheard Ma Flannagan planning to trick Marek into parting with his land. Dvorak, by bluffing his hand ina game of poker with Ma’s agent, wins from him the sum of money that Ma had given him with which to buy Marek’s land. So Dvorak turns the tables on Ma, and eventually gets from her a splendid price for Marek’s land.
Milli is more fortunate in her love affair than Karolka. Joe turns up on his annual visit, during which Milli and he get married.
When Ma Flannagan becomes aware of the romance between Shaun and Karolka she sends her packing under threat of expelling her friends and relations from Willow Falls. Ma has dreams of a brilliant social future for Shaun in keeping with the fortune she is amassing for him. She had under-estimated his love for Karolka and knows she is defeated with he turns to drink for solace in the belief that Karolka has deserted him.
When the time comes for Ma to take over Marek’s land, he announces that Milli and Karolka are joint owners with him and that it will be necessary to find them before a sale can be made. A chance remark from Feeney enlightens Shaun that his mother drove Karolka away. This sobers him and he sets out to find her.
Meanwhile, Dvorak has completed his symphony and returns to New York to conduct its first performance. It is he who finds Karolka on board ship departing for Europe. He takes her to the conductor’s room at Carnegie Hall, where the Flannagans, Marek, Milli and Joe are assembled. There the land deal is settled, and the lovers are reunited.
Then comes the dramatic moment when an attendant announces “The orchestra is waiting, Dr Dvorak”, and those he had befriended gaze in awe at the great man as he takes and baton and goes out to achieve his greatest triumph.
|
|
|
|
The Orchestra
(Under the direction of Oswald L. Lawrence, LRAM, ARCM)
|
|
|
Oswald Lawrence
who has been our
Musical Director since 1947, has given most distinguished service
to the Society.
|
|
|
|
|
|
Violins |
|
Yvonne Bowness (Leader)
Elsie Bridge |
Cello |
|
C. Cook |
Double Bass |
|
E. Allen |
Flute |
|
D. Garland |
Clarinets |
|
E. Howlett Barbara Bowley |
Trumpets |
|
E. Denton
R. Henson |
Trombone |
|
T. Preston |
Percussion |
|
J. Curtis |
Piano |
|
Joan Hart |
|
|
Joan Hart our Assistant Musical Director and Accompanist, whose great patience and help
is so invaluable to
the Society.
|
|
|
WILLIAM JAMES ARTHUR PECK |
It is with great sadness, we record the passing of our Past President, who held office from 1956 to 1973. Throughout this period, Mr Peck, ever supported by Mrs Peck, maintained a keen interest in all our affairs and never missed an opportunity of encouraging us to achieve greater success. Furthermore, he consistently sought, by every means in his power, the support of the Public without which no Operatic Society can prosper. Last, but by no means least, Mr Peck entertained the Company and all our helpers on the Saturday of each Show in a most kindly and generous manner.
We missed Mr Peck when ill-health caused him to retire as our President. We shall miss him even more, now he is no longer with us.
|
|
|
Officers of the Society |
Chairman:
|
Oswald L. Lawrence |
Stage Manager: |
Len Gomm |
Vice-Chairman: |
Peter W. Carpenter |
Musical Director:
|
Oswald L. Lawrence, LRAM, ARCM
|
Treasurer: |
Philip Mould |
Asst. Musical Director: |
Joan Hart, ALCM |
Secretary: |
Allen Goulsbra, AIB |
Accompanists: |
Joan Hart and Pauline Longland |
Publicity Officer: |
Mary Boyfield |
Wardrobe Mistress:
|
Ena Carpenter |
Auditors: |
Baker, Bros., Halford & Co. |
|
Pauline Longland
Whose constant cheerful assistance at rehearsals is so very much appreciated.
|
|
|
Committee:
|
Margaret Ambury
Margaret Coleman
Pam Fulcher
Bettina Goulsbra
Phil Smith
Graham Ward
|
Social Committee:
|
Graham Ward - Chairman
Mike Neville - Secretary
Janet Mould - Treasurer
Margaret Ambury
Pam Fulcher
Keith Vaughan
Mike Walker
|
|
|
|
Jenny Towell
Whom we are delighted to welcome once again as our Ballet Mistress.
|
|
|
Our Stage Assistants |
Wardrobe
Call Boy
Prompter
Make-up Artists
Costumes by
Scenery by |
Margaret Bland, Phyllis Bryant, Peggy Coles, Rose Drage, Nancy Eady, Nellie Hart,
Pat Horn, Dorothy Lawrence, Phyllis Smith, Pam Stock, Jean Wilbur.
Carol Harbour.
Kaye Rawlins.
Hylda Bugby, Clive Durrant.
W. A. Homburg Ltd., of Leeds.
James Fredricks Ltd., of Weston-super-Mare,
and the Society's backstagers.
|
|
Stage Staff
Property Masters
Electricians
|
Bob Alan, Peter Bradshaw, Duncan Clark,
George Coleman, Tony Dale, Nick Hart,
Len Heighton, Robert Mould, DavidPateman, Dereck Peck, Chris Ruff, Tim Ruff, Bill Sinfield,
Ken Smith, Brian Toby, Ron Whitney.
Grace Berrill, Len Berrill
Assisted by Josie Brown, Pat Catlin, Glenys Haynes, Peggy Hobson, Jeff Holloway, Gordon Pateman, Nigel Reynolds, Dennis Richardson.
Trevor Bailey, Stephen Hind, Arthur Holloman, Roger Norman, Douglas Pateman, Peter Sturgess, Stuart Wilbur.
|
|
|
|
Characters |
Dr Anton Dvorak
(the famous composer) |
|
John Jones |
Tomas Tomashek
(an oboe player) |
|
Mike Walker |
Karolka Novak
(a young Czech immigrant) |
|
Doreen Field |
Marek
(Karolka's uncle) |
|
Phil Smith |
Milli
(Marek's daughter) |
|
Pauline Wildman |
Blodek
(a lumberman) |
|
Mike Neville |
Abe
(Negro man-of-all-work) |
|
Sam Houghton |
"Ma" Flannagan
(Boss of Valley Falls) |
|
Renee Welsford |
Shaun
(Her son, an engineer) |
|
Keith Green |
Mr. Gilmore
(a New York railroad magnate) |
|
Deryck Wicks |
Feeney
(a saloon keeper) |
|
George Mitchell |
Joe Gianello
(a travelling salesman) |
|
Graham Ward |
Jake
(a tax collector) |
|
Keith Vaughan |
Pete & ) (two poker
Barstow ) players) |
|
Roger Clarke
Mike Walker |
|
|
|
Musical Numbers |
ACT ONE
|
Flannagan's trees |
Abe and Chorus |
Once a year is not enough |
Milli and Men |
Just around the corner |
Karolka and Chorus |
Be she dark, be she fair |
Shaun and Karolka |
Cotton Tail |
Abe |
No one told me |
Shaun |
Sing me a song |
Chorus |
Murphy's pig |
"Ma" Flannagan and Chorus |
Saturday girl |
Shaun and Karolka |
One boy sends you a rose |
Karolka and Milli |
Ballet |
Dancers |
Deep blue ev'nin' |
Abe and Chorus |
I'm not so certain |
Joe and Milli |
Finale |
Karolka, Shaun and Chorus |
ACT TWO
|
Centerville song |
Chorus |
Burlesque ballet |
Dancers |
Te Deum |
Chorus |
The day you hit the high road |
Abe and Chorus |
Weddin' gown |
Joe, Milli and Chorus |
Furiant ballet |
Dancers |
Summer song |
Karolka and Chorus |
Small town sweetheart |
Shaun |
New York ninety-three |
Chorus |
I'll be rememb'ring |
Karolka and Chorus |
Once a year |
Milli |
Finale |
Full Company |
|
|
|
|
Renee Welsford
("Ma" Flannagan)
|
|
|
|
|
|
|
|
|
|
|
Scenes |
ACT ONE
|
One |
|
Town Square in Valley Falls, Illinois |
Two |
|
Outside "The Blarney Stone" |
Three |
|
Interior of the Saloon |
Four |
|
The Town Square |
Five |
|
Outside the Saloon |
Six |
|
Milli's Room |
Seven |
|
The Town Square |
Eight |
|
Uncle Marek's Yard |
ACT TWO
|
One |
|
A street in Centerville |
Two |
|
The "Silver Dollar" Casino |
Three |
|
The Town Square |
Four |
|
Interior of the Saloon |
Five |
|
Little Old New York |
Six |
|
On board a Ship |
Seven |
|
The Conductor's Room |
Eight |
|
Finale |
|
Programme Sellers
|
(Arrangements by Hilda House)
Diane Cheasman, Margaret Clark, Gwen Hardwick,
Mary Wills.
|
|
|
|
Ladies' Chorus |
Margaret Ambury, Chris Carter, Margaret Coleman, Muriel Corbett, Bettina Goulsbra, Connie Holt, Jeannette King, Jackie Line,
Susan Line, Janet Mould, Mary Quartermain, Mary Randall.
|
|
Dancers |
Kathryn Bland, Mary Boyfield, Barbara Carter, Rosemary Clarke,
Pam Fulcher, Carol Helsdown, Sally Massom, Judy Tomlinson,
Jenny Towell, Joan Vaughan, Kim Vaughan, Judith Walker.
|
|
Gentlemen's Dancing Chorus |
Robin Allen, Mick Baish, Graham Berrill, Roger Clarke, John Curson, David Hart, Mike Neville, Norman Towell, Keith Vaughan,
Mike Walker, Deryck Wicks.
|
|
Stewards
|
(under the direction of Percy House)
Alan Binder, Harold Binder, Peter Carpenter, Ben Catlin, Ron Coles, Adrian House, Bert Ingram, Cliff Jeffries, Ian Lawrence,
Bernard Palmer, Gordon Percival, Don Perkins.
|
|
|
|
|
Ladies of the Chorus and Dancers
|
|
|
|
Gentlemen's Dancing Chorus
|
|
|
Acknowledgments |
The Committee and members of the Society wish to offer their very sincere thanks to the following, whose assistance and co-operation have made this production possible:- |
|
|
The President and Vice-Presidents for their continued interest and support.
Messrs. Jaffa and Knighton, and the Ritz Staff for their support.
The Northamptonshire Education Committee (Mr. M. J. Henley, MA, County Education Officer), and Mr. John Northwood, Principal of the Rushden Evening Institute, who have given every help in the arrangement of rehearsals.
Mr. J. C. P. Hale, Headmaster of South End Junior School, and Mr. Bing, Caretaker.
Mr. H. W. Catlin, Headmaster of Rushden Boys' Comprehensive School, and Mr. Peasnell, Caretaker.
Mrs. Ferguson, Headmistress of Hayway Infants' School.
Mr. Percy House, for the use of the room for rehearsals.
Mr. D. Clarke, Headmaster of Alfred Street School, and Mr. Dunkley, Caretaker.
All those who have allowed us to display advertising material.
The East Northamptonshire Co-operative Society for the use of their premises for Property making.
The Stewards and Programme Sellers.
The Nursing Sisters and St. John Ambulance for attendance at the Theatre.
The Stage Staff and all others who have worked behind the Scenes, who have all contributed so much to the success of this Production.
L. A. Whitehead, of Irchester, for the loan of Furniture.
Peter Crisp for the loan of Stage Properties.
The local traders who have taken advertising space or donated pages in this Programme.
A. T. Ginns, Blacksmith, Yelden, and G. Pettit, Wood Merchant, Hinwick, for the donation of Property-making Equipment.
The Rushden Working Men's Club for the use of their premises for rehearsals.
Frank Eady Press Ltd. for their great assistance in producing this Programme.
Steve Hawes for his kind assistance with the photographs.
Charles Horrell Ltd. for the use of their Canteen for rehearsals.
To all who have assisted the Society in presenting SUMMER SONG, whether or not mentioned in this Programme, we would like to say a SPECIAL THANK YOU. |
|
|
|
|
|
|
|
|