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Presented by Greville Watson 2020
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Rushden Amateur Operatic Society
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Magyar Melody - 1951
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RUSHDEN OPERATIC SOCIETY
(affiliated to the National Operatic
and Dramatic Association)
presents
SEVEN PERFORMANCES
(by arrangement with Samuel French, Ltd.) of
"MAGYAR MELODY"
Adapted by ERIC MASCHWITZ and GEORGE POSFORD
from the Play by
ERIC MASCHWITZ, FRED THOMPSON and GUY BOLTON
presented at HIS MAJESTY'S THEATRE
Music by GEORGE POSFORD and BERNARD GRUN
with additional numbers by
ZSIGMOND VINCZA and MANNING SHERWIN
The Ritz, Rushden, March 5 to 12, 1951
Daily at 7.30 p.m. Saturday Matinee at 2.30 p.m.
Produced under the direction of WILLIAM F. BUDD
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The Story in
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"MAGYAR MELODY"
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In a remote village on the Great Plain of Hungary the Harvest Festival is being celebrated at the farm of Frau Julika. After their praise of grape and grain, however, the people are much more concerned with paying a tribute to their local heroine, and the Mayor himself unveils a plaque to Roszi Belvary, the village maiden who is believed to be making a hit on the Paris stage.
A supercilious view of the event is taken by Count Ferenc, the tyrannous overlord of the district, whose mouth curls again as he inspects a photograph of “Michael Hajos”, a young musician who has sought rural seclusion in order to write an operetta.
Michael fancies that Roszi may one day take the lead in his show. The sudden return of Roszi to the village confirms that fancy, for he finds the “famous” actress charming in more than voice. He has yet to know that her Paris “triumphs” were purely imaginary, but, on the other hand, she has yet to find that he is in reality the Archduke Michael, nephew of the empress Elizabeth.
Roszi means to confess, but leaves her move too late, and finally pours forth her story when Ferenc, who has a dishonourable interest in Roszi, confronts the young couple with the Empress. Under the imperious persuasion of his aunt, Michael leaves Roszi without revealing what is in his heart.
Months later, at the Café Continental in Budapest, the faithful Julika and her friend Mikki, the comic photographer, work up a little scene by which Roszi, still hoping for stardom, is able to sing within the hearing of Bardos, a theatrical manager in search of a leading lady. Bardos, though impressed, enquires angrily how she came by the song. Behind him, however, is Michael, well aware how Roszi came to know “Magyar Melody”. Misunderstandings are swept aside, and Roszi gets the part.
But Count Ferenc has still to be reckoned with. At the prompting of Major Lonay he hires a gang to demonstrate again Roszi at the first night of the operetta. In spite of heroic intervention by Julika the plot is about to succeed when the Empress enters the theatre. Her presence silences the interrupters and the show is acclaimed as a great success.
Ferenc, however, has one move more. He reveals to the Empress that Michael and Roszi, in their hour of triumph, are now in love. Seeking out the bewildered girl, Elizabeth discloses Michael’s identity and persuades Roszi to believe that in clinging to her lover she would ruin his career. Heartbroken, Roszi lies to Michael that as an actress she could never be the prisoner of a wedding ring.
Fortunately there remains Act 3, in which, by tradition, wrongs are righted. The setting is an hotel in the Tyrol, where the Empress, convinced that Michael is unhappy, reveals to him her own part in engineering the trouble. Roszi makes a timely arrival and hears the Empress say, “This time your path is free”.
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Hero and Heroine
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JOHN
CORBETT
as
MICHAEL
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MARY
WILLS
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ROSZI
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Pictures of Principals
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BETTY GARRETT
as THE EMPRESS
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THE ORCHESTRA
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VIOLINS
(Leader)
VIOLA
'CELLO
DOUBLE BASS
FLUTE
OBOE
CLARINET
HORN
TRUMPETS
TROMBONES
DRUMS
PIANO |
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T. Faulkner
T. Kershaw
G. R. Pearson
S. Twelftree
S. Seamarks
W. Teal
B. Smith
R. Pettitt
C. Smith
G. Hornsey
T. G. Carter
W. Groom
G. Groom
R. Benning
E. Webster
E. West
H. James |
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OSWALD LAWRENCE
Musical Director
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STAGE BAND
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Ernest Abbott
Cyril Tew
George Sayer |
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Sam Denton
William Scholes |
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FROM THE CHAIRMAN
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This year’s show is perhaps not so well known as the popular “Vagabond King” produced last year, but as one who saw “Magyar Melody” recently, I feel sure it will appeal to our patrons.
On behalf of the whole company, who have worked untiringly in preparing this musical romance, I extend a very warm welcome to all old friends, and I sincerely trust that “Magyar Melody” will be the means of extending our wide and loyal circle of appreciative patrons.
W. A. E. Sherwood
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SCENES AND MUSICAL NUMBERS
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Overture
Act I. A FARMHOUSE ON THE GREAT PLAIN OF HUNGARY
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Ensemble
Julika and Chorus
Michael and Chorus
Roszi, Michael and Chorus
Roszi and Michael
Julika and Mikki
Gipsy Dancers
Chorus
Julika and Chorus |
Entr'acte |
Harvest Festival
"Roszi"
"My Song is Born"
"Magyar Melody"
"Boy Meets Girl"
"Just Like a Gipsy Band"
Czardas
"Empress's Anthem"
Finale. Act I. |
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Act II. SCENE 1. THE CAFE CONTINENTAL BUDAPEST (A FEW MONTHS LATER)
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Istvan and Clientele
Marika, Bona, Zita and Actresses
Roszi and Michael |
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"At the Cafe Continental"
"Never Bring Mamma"
"My Heart Belongs to Budapest" |
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SCENE 2. OUTSIDE THE ROYAL THEATRE (A FEW WEEKS LATER) |
SCENE 3. BEHIND THE THEATRE GALLERY (THE SAME EVENING) |
Roszi and Tenor |
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Opertta Scene |
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SCENE 4. THE CAFE CONTINENTAL (LATER THE SAME EVENING) |
Roszi and Guests
Julika with Bardos and Mikki
Roszi, Michael and Chorus
Finale. Act II. |
Entr'acte |
"Music for Romance"
"No Married Men Need Apply"
"Mine Alone" |
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Act III. THE INN OF THE "GOLDEN HORN" IN THE TYROL (ONE YEAR LATER)
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Bandmaster and Chorus
Roszi and Chorus
Julika, Mikki and Chorus
Finale. Act III. |
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"A Truly Tyrolean Band"
"The Waltz I Would Rather Forget"
"Shot Gun Wedding" |
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LOLEK JASINSKI
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CHARACTERS
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(In order of their appearance)
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JULIKA (Tenant of a Hungarian Farm)
MIKKI (A Photographer)
THE MAYOR
TOWN COUNCILLORS
COUNT FERENC (A Wealthy Landowner)
MICHAEL (A Composer of Music)
ROSZI BELVARY (An Acress)
MIKLOS (A Peasant)
THE EMPRESS ELIZABETH
ISTVAN (A Maitre d'Hotel)
BARDOS (A Theatrical Manager)
MAJOR LONAY (An Army Officer)
MARIKA . )
ZITA . . . . ) (Actresses)
ILONA . . .)
THEATRICAL MAMMA
CLAQUE LEADER
BANDMASTER
HERR STEFFAN (Landlord of the "Golden Horn")
MARIA (Maid at the Hotel) |
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RENEE WELSFORD
GEORGE JOHNSON
VICTOR PARSLER
SIDNEY SMITH
GEOFFREY SANDERS
GEOFFREY KNIGHT
JOHN CORBETT
MARY WILLS
IAN SMITH
BETTY GARRETT
SIDNEY BAILEY
WILLIAM CLARKE
IVOR FRANCIS
( PAULINE FAREY
( EILEEN WILCOX
( RITA YEOMANS
ROSE DRAGE
WILLIAM AINGE
PERCY HOUSE
TOM DANIELS
HILDA HOUSE |
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Hungarian Peasants, Actresses, Audience, Guests, Villagers,
Village Band, Huntsmen, etc.
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CHORUS LADIES
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Audrey Cave, Margaret Chapman, Phyllis Clarke, Kathleen Dent, Vera Denton, Rose Drage, Rose Frost, Norah Gibbs, Diane Hancock, Bertha Harbour, Margaret Harris, Hilda House, Hilda Howes, Lilian Keech, Doreen Marks, Jane de Neuman, Eleanor Randall, Connie Wrighton, Eileen Wilcox, Pauline Whiting, Maureen Pridmore, Rita Yeomans
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CHORUS GENTLEMEN
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William Ainge, Sidney Bailey, John Bennet, Harold Clayton, Tom Daniels, George Dangerfield, Arthur Frost, Robert Hart, Patrick Higgins, Percy House, Alan Ives, Graham Norris, Derek Oldham, Victor Parsler, John Reynolds, Albert Sanders, Geoffrey Sanders, Ian Smith, Sidney Smith, Robert Wilkins
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THE DANCERS
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Pamela Bettles, Betty Cowley, Jose Eagle, Sheila Eaton, Audrey Darnell, Jacqueline Dilley, Fred Faulkner, Pauline Farey, Moyra Groome, Jose Hewitt, Jean Hardwick, Elizabeth Smith
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Chairman:
Secretaries:
Musical Director:
Accompanist:
Choreographer:
Wardrobe Mistress:
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W. A. Sherwood
Phyllis G. Bryant and
Bernard R. Palmer
Oswald L. Lawrence
Harold James
Jose Marsh
Nellie Hart
(assisted by Gladys Mann & Ivy Smith) |
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Vice-Chairman:
Treasurer:
Deputy Musical Director:
Auditor:
Prompter:
Property Master:
Calll Boy:
Make-up Artist:
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E. J. Rowlett JP
Roy T. Saint
John W. Cooke
E. W. Pacey
Lilian Dickens
Cyril Garrett
Jack Cutmore
Jules Marten, assisted by
Florence Tolman |
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Costumes and Wigs |
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B. J. SIMMONS & CO. |
Scenery |
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STAGE SCENERY LTD. |
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GEOFFREY KNIGHT
as COUNT FERENC
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ACKNOWLEDGMENTS |
are very sincerely and gratefully made to
Mr. W. Hewitt, his co-directors and the staff of the Ritz, for their continued interest and co-operation.
Northamptonshire, Education Committee and Mr. W. A. E. Sherwood, who have given every help in the engagement of rehearsals at the Rushden Evening Institute and to the headmasters, headmistresses and caretakers of the schools.
Rushden Temperance Band and its conductor, Mr. William Scholes, for supplying the Tyrolean Band in spite of many other calls upon their time.
Northamptonshire Newspapers, for publicity.
Mr. Leslie Priestley, Mr. Leslie Clark, and other voluntary stage workers, the St. John Ambulance workers and the firemen, for attendance throughout the week.
Our esteemed President, the Vice-Presidents and all others who have given support and service.
Mr. William F. Budd, our Producer, who has given us the full benefit of his wide stage experience, which includes several productions by Ivor Novello.
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Our Invitation
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The Society would welcome applications from those who would like to become acting members. Particualrs should be sent by letter to Miss Phyllis Bryant, 51, Spencer Road, Rushden. |
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Committee
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F. E. Brown
Eva K. Bryant
William Clarke |
John W. Cooke
T. W. Daniels
L. V. Elliott
Nellie Hart |
P. W. House
G. Knight
E. Wadsworth |
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Stewards
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E. Clark
H. F. Hill
H. V. Ingram |
M. Knight
S. Knight
G. T. Macpherson
C. Perkins |
C. Robinson
D. Summerfield
F. Thornton |
Chief Steward: Edward Wadsworth
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Souvenir Sellers
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Lily E. Cooke (Principal)
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Jennie Clayton
Beatrice Daniels
Barbara Dudley
May Garley |
Ivy Ingram
Dorothy Johnson
Audrey Perkins
Beryl Rowlett |
Joan Saddington
Enid Warner
Stella Wicks
Elizabeth Wilson |
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An Amateur Production
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These performances of "Magyar Melody" are given by amateurs under professional tuition. The members of the Company attend the Operatic and Ballet Classes of Rushden Evening Institute.
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